"You might be the only man there!"
C's comment as I'm setting off for the gig, having secured a returned ticket for the sold-out performance that morning. (Long-term readers of this blog will
know why I want to see her.) I brush off her concerns, but on arrival at the Playhouse there are crowds of people outside enjoying the warm evening and drinks and I struggle to find even one male face. Yipes!
I've arrived early to pick up my ticket, so my first stop is the ticket office, already feeling horribly conspicuous. Next move is to make a walk across the foyer - ostensibly to the merchandise table at the other side - but actually desperately scanning the assembled womanhood for a face I might vaguely know from somewhere.
Then I realise I'm very thirsty and will surely need a drink to be able to speak lucidly to whoever I happen to be sitting next to. And queueing at the bar is going to be less embarrassing than just standing around.
There is more choice of drinks at the main bar - but the queue is enormous and almost exclusively female. And the bar is lit by those lights which they use in canteens to keep the food warm. I can feel my face, already red, begin to positively glow as I slowly begin to cook in the heat. I almost give up, but the prospect of standing outside or in the foyer without a cold drink looking like a belisha beacon is even worse.
Eventually I'm able to shuffle away from the bar with my coke. To find, standing in the entrance, Tony Hodges, a colleague from the CAB!
I like Tony (in fact he's a 75-year-old CAB legend with 10 years service, a wonderful dry sense of humour, and a magnificent approach to clients) but would have been pleased to see anyone at all just then. Tony also has returned tickets, a pair, but has been unable to find a single (female) acquaintance available at just 50 minutes notice, so he's trying to give one away. We agree to meet in in the interval.
My seat is just 3 rows from the front, but imagine my horror and disappointment (in an audience which is 95% female, mostly under 40) I'm in between two blokes!!! Oh well; there is an exhilaration turning round and seeing all those excited faces not just waiting for a performance but to to see a heroine.
Caitlin appears on stage and launches into a long anecdote about her moon cup failing when she borrowed Richard Curtis's Suffolk guesthouse - and the subsequent effects on the white bathroom carpets and Farrow and Ball walls, converting the soft white interior decor into something akin to an abattoir.
Behind this and several other gags was a serious point concerning the abridged portrayal of women in the media, including books, TV and film (including porn). (In this case, specifically, the gallons of unnaturally spilt blood depicted in films, dramas etc against the absence of any mention of naturally spilt menstrual blood.) Her thesis is that cultural change like this will change attitudes. What needs to happen is to expand the lexicon - to embrace a whole range of normal women, not just the few usual stereotypes. Serious stuff, but delivered with zest and plenty of humour.
At the interval Tony has already got drinks in before I reach the bar. (I said he was a legend!) He doesn't seem over-impressed with the first half, in spite of Moran's column being the reason he takes The Times. But it's a treat to have someone to talk to, a luxury that it's someone interesting.
As the session is ostensibly to promote her new book ("I thought I was writing about the process of becoming the adult you are, but apparently, according to the reviews, I was just writing about wanking") we get a reading or two. What stands out for me in the second half was her tips for girls on how to deal with a huge penis. (E.g. in the doggy position subtly move forward during thrusts to minimise penetration; you might get twice around the bed before he notices!)
We also get plenty on her erotic obsession with Benedict Cumberbatch, her mother's approach to parenting, being isolated at school, and what happened when she met her own heroine Courtney Love.
Whilst not the laugh-a-minute you get with some comedians, this was a fine evening's entertainment. I was tempted when she said that everyone in the queue for book signing afterwards would get a hug, but a 62-year-old man standing in line with large numbers of young women may have an ever-so faint whiff of desperation so I went straight home.
When I see Tony at the bureau, 2 days later, it turns out he was disappointed. She was too crude and he 'didn't like the messed up white carpets bit". It was gross, yes, but in my book achieving a groan of disgust is only just second to achieving a belly laugh. Maybe it's my weird sense of humour. Looking forward to reading her new novel.
ROCK ON CAITLIN!